November 2019
Good Enough | Viktorija Semjonova and Laxmi Hussain | Brixton Beneficiary Project Space
A collection of ink, watercolour and gouache paintings by Laxmi Hussain and Viktorija Semjonova exploring and accepting that we are good enough. Sometimes it is forgotten that good enough is good enough.
More »January 2020
Brixton Beneficiary | Soft Touch | Amy Cochrane and Betsey Kilpatrick
New work by Amy Cochrane and Bestsey Kilpatrick
More »February 2020
Any Second Now | Group Exhibition
A Group Exhibition about the curious nature of leap years, the ordering of time and alternative universes.
More »March 2020
Brixton Beneficiary | Butterfly Blue Goodbye
Butterfly Blue Goodbye is a fleeting exhibition hosted at the Brixton Beneficiary, showcasing new art by Jessica Ostrowicz and William Saunders.
More »September 2020
Concrete Blue | Unit 3 Projects | Exhibition
Concrete Blue: Between Matter and Space 4 - 13th September, 12-5pm. Viewable online or by appointment only. beaxacevedo@gmail.com ASC Unit 3 Empson Street London E3 3LT
More »April 2021
The Cube / 4 paintings / Darren obrien
For the inaugural show in ASCs new Project space called The Cube ,artist Darren Obrien presents 4 new paintings created over lockdown.
More »March 2022
I Celebrate Myself
I Celerbrate Myself is a group show of artists from ASC Brixton and ASC Kenington Court House Studios utilising the grand nature of the court rooms and lobby of the 1930s designed Court House that is now studios.
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Coco Morris presents a series of new paintings in ASCs bespoke The Cube at its Grafton Quarter studios.
More »Northern Deviants / Bex Massey + Lou Bennet
Northern Lights is an exhibition organised by ASC Bow based artist Bex Massey.
More »May 2022
I Celebrate Myself Part 2
The second part of exhibitions that bring together work from artists from ASC Brixton and Kennington Court House Studios.
More »How to Disappear Completely / John Bunker
It feels like I'm using a completely different part of my brain when I'm making sculpture. Even with their modest sizes and lowly materials, the challenges are refreshing and humbling. But, also, somewhat ironically, I began to make connections between these new sculptures and the material properties of much older paintings and drawings from the 2000s. John Bunker
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